Hip-Hop

[Sick Blik]

Th9TQZRpas4

 

ZtE8240abvQ

 

:<

Wat een geweldige nummers. _O_

 

Beste Hip-Hop album sinds Returnof4eva. _O_

[Sophomore]

Dreamchasers 3 van Meek Mill is wel de minste tot nu toe, durf ik na 1 keer luisteren al te zeggen

 

Later vandaag komt ook de tape van Vic Mensa uit :)

[Ilias.]

Dreamchasers 3 van Meek Mill is wel de minste tot nu toe, durf ik na 1 keer luisteren al te zeggen

 

Later vandaag komt ook de tape van Vic Mensa uit :)

 

Meek Mill luister ik niet meer, sinds Ooh Kill Em.

[Sophomore]

Meek Mill luister ik niet meer, sinds Ooh Kill Em.

 

Hm oké haha, vond het nog best een redelijke dies eerlijk(heb slechtere gehoord)

 

INNANETAPE van Vic Mensa is uit, mattie van Chance, maar bevalt mij persoonlijk (nog) beter

http://api.viglink.com/api/click?format=go&key=c1bfa75158ba0f760f9cf90dfe79a69d&loc=http%3A%2F%2Fwww.complex.com%2Fmusic%2F2013%2F09%2Fvic-mensa-innanetape&v=1&libId=d28b35e8-f863-496e-bb39-85ba90a49e48&out=http%3A%2F%2Fillroots3-images.s3.amazonaws.com%2Fmixtapes%2FINNANETAPE.zip&ref=http%3A%2F%2Fwww.complex.com%2Fmusic%2F2013%2F09%2Fvic-mensa-innanetape&title=Vic+Mensa+%22INNANETAPE%22+%7C+Complex&txt=here&jsonp=vglnk_jsonp_13806362202588

[Ilias.]

Kendrick Lamar gaat terugdissen op al die rappers & Drake die reactie gaven op z'n control verse. In BET cypher gaat ie helemaal los volgens mensen die erbij waren o.a. "'Nothing was the Same since I dropped that control verse.'" (volgens Sony Music rep. Spencer Clements, die erbij was) Reports were sketchy the other night. Live-audience attendees at the tapings of award shows that will be broadcast later are generally asked not to record or report on the night's events. But it seems clear that Kendrick stole the show with a rap that kept going and going.

 

Maar Drake pakt het wel slim aan om nu zelf aan te geven de tophits/pop kant op te gaan.

[Scifo]

November J Cole in de AB, wel 42 euro, twijfels twijfels

[Sophomore]

Kendrick Lamar gaat terugdissen op al die rappers & Drake die reactie gaven op z'n control verse. In BET cypher gaat ie helemaal los volgens mensen die erbij waren o.a. "'Nothing was the Same since I dropped that control verse.'" (volgens Sony Music rep. Spencer Clements, die erbij was) Reports were sketchy the other night. Live-audience attendees at the tapings of award shows that will be broadcast later are generally asked not to record or report on the night's events. But it seems clear that Kendrick stole the show with a rap that kept going and going.

 

Maar Drake pakt het wel slim aan om nu zelf aan te geven de tophits/pop kant op te gaan.

 

http://www.complex.com/music/2013/10/kendrick-lamar-drake-diss-bet-cypher?utm_campaign=complexmag+socialflow+10+2013&utm_source=facebook&utm_medium=social

[Ilias.]

King Kendrick! Don't kill my vibe! _O_

[Scifo]

#TeamAntiDrake

[Sick Blik]

Ik snap er niks meer van, die waren toch bilmaatjes enzo daarom dat Drake even Poetic Justice kwam verneuken toch? :cab:

 

Maar Drake-disses moedig ik altijd aan dus Go Kendrick!

[Scifo]

Old van Danny Brown vind ik wel top btw. Eerste deel iets diepere shit, tweede deel gewoon lekkere Danny bangers :D Top. My Name Is My Name vind ik beter dan verwacht, niet veel van verwacht, maar valt me behoorlijk mee als niet-Pusha fan. Die track met Kendrick is wel hard en Numbers on the Boards blijft wel een fantastische beat van Kanye :<

 

CJ Fly van Pro Era heeft trouwens ook een tape gedropt, nog maar één keer geluisterd, wel chill op zich, niks speciaals.

 

Nothing Was The Same btw nog altijd niet geluisterd, wil het wel gaan doen want ga natuurlijk niets afkraken dat ik nog niet gehoord heb :LO: zet hem wel eens op als ik eens een paar dagen niet kan poepen ofzo

[Sick Blik]

Old van Danny Brown vind ik wel top btw. Eerste deel iets diepere shit, tweede deel gewoon lekkere Danny bangers :D Top. My Name Is My Name vind ik beter dan verwacht, niet veel van verwacht, maar valt me behoorlijk mee als niet-Pusha fan. Die track met Kendrick is wel hard en Numbers on the Boards blijft wel een fantastische beat van Kanye :<

 

CJ Fly van Pro Era heeft trouwens ook een tape gedropt, nog maar één keer geluisterd, wel chill op zich, niks speciaals.

 

Nothing Was The Same btw nog altijd niet geluisterd, wil het wel gaan doen want ga natuurlijk niets afkraken dat ik nog niet gehoord heb :LO: zet hem wel eens op als ik eens een paar dagen niet kan poepen ofzo

Haha same here, had hem eigenlijk voor vandaag op de planning staan, maar het is echt geen prioriteit voor mij. :cab:

[Sophomore]

Van al die platen die je noemt [MENTION=8505]Scifo[/MENTION]; heeft Nothing Was The Same veruit de meeste plays

[Scifo]

Bij jou of in het algemeen? Nja wansmaak kent geen grenzen blijkbaar :LO:

[Sick Blik]

Die nieuwe Danny Brown lijkt me wel erg boeiend trouwens, die ga ik een dezer dagen even checken. Pusha T wacht ik even mee, wil eerst hele Clipse discografie doen.

[Ilias.]

Van al die platen die je noemt [MENTION=8505]Scifo[/MENTION]; heeft Nothing Was The Same veruit de meeste plays

 

Same here, maar Kendrick gaat em killen. ;c

[Sophomore]

Bij jou of in het algemeen? Nja wansmaak kent geen grenzen blijkbaar :LO:

 

Bij mij, al is die van Drake ook al wat langer uit. My name is my name vind ik beetje tegenvallen, maar nog maar 1 a 2 keer geluisterd, beste tracks zijn de singles. Danny Brown heeft me nooit echt aangesproken, op een paar keiharde bangers na (meestal als featuring artist). Maar ga het zeker weer een kans geven.

[Sick Blik]

Nou hier is mijn review van de nieuwe Drake. Lees het maar niet als je fan van hem bent en niet tegen kritiek kan. Heb het amper overgelezen dus kan zijn dat ik soms verkneld raak in te grote zinsconstructies. :cab:

 

[spoiler=shizzle]Rhyming the same word 4 times in a row, comparing himself to people who actually have a certain talent and reproducing lines from hooks that are yet to come. This is going to be amazing. Did anyone hear Drake say that he doesn't care about anything anymore, only to hear him complain about personal issues not more than thirty seconds later? Brilliant. That is how this album starts and you're already anticipating what is going to be next. Because despite the fact we can never experience a life where we are rich musicians who have almost everything they want in life, Drake is going to help us remind that life as a rich rapper is really depressing, only to tell us seconds later that he's doing what he can to fuck as much ladies as he can, drink bottles of oozing liquids and all that other stuff he does.

 

Well, at least he has some self-knowledge, he is indeed the furthest thing from perfect. Releasing song after song in utter confusion. Drake is in a consistent confusion. Should he care about life and troubles of people or should he just be a cool gangster who doesn't give a damn/yolo? Should he rap or sing or mumble monotonously like he is eating chicken with no regards for musical instrumentation? After that again a song about Drake's favorite subject. Himself. He started from the bottom but now he is on top. Not only is that statement utterly wrong because he originates from a middleclass suburban Canadian family but also it's completely unoriginal.

 

Well there is Wu-Tang Forever, at least we have something in common, we are both fans of Wu-Tang right? To be honest, this is the last kind of song I expected to have this title, I bet if Ol' Dirty Bastard could've hear this in his grave, he would've shat bricks the size of elephants. Why this title? This doesn't have anything to do with the no-nonsense Hardcore-Raps the Wu-Tang produced, wordsmithery, storytelling and rawness. This is the complete opposite. Also, I wonder if Drake has considered ever paying a singing coach. When you are singing, or wait, is that really singing? Let me correct it, nasally mumbling sentences so prominently in different songs, you would like it to do that as good as possible right? NO! YOLO! And even if he did it, would it matter when you contradict yourself more than the average populist politician?

 

Well, to be honest. From Time is not a bad track, of course Drake has zero of the essential skills a typical good emcee should posess, but this song has a little content, the beat is good and Jhené Aiko has pretty good parts too. So yeah, if the album would be more like this, it would be pretty good right?

 

But there is the boybandesque 'Hold On, We're Going Home'. And while his singing isn't massively nasal or uninterested like on the majority of his discography, it is still irritating as hell, because you can hear at every point that he doesn't have the ability to actually sing. So he stays in a safe vocal range which makes it monotonous in a different way. O wait there is another guy singing with him, maybe they should form a boyband. I see Drake fit in effortlessly, although the thing is, he can't make songs with him complaining about an awful lot of things, so I guess that is never going to happen.

 

For real though, Drake is revolutionarizing the rap-game, as we can hear in Connect which is a real speaking name for the content of the song. He connects his lines by mumbling them together. The whole concept of flow is just destroyed. We should all thank Drake, today, you don't have to rhyme to rap, you don't have to flow to make money with Hip-Hop tracks. We should be so thankful! Artistic freedom at its best.

 

From a linguistic view, The Language is bilingual. First the yoyonese space hopper rap flow and after that the singing like you're eating your girlfriend's (who honestly can't cook, but you just need to eat her spaghetti to keep her satisfied, you know what I'm talking about) spaghetti filled with sour stuff and other disgusting things to a doglish.

 

Nothing Was the Same, but if I was told to summarize this piece of noise called an album, I would say that it is the same all over again. This is just Take Care with less pretentiousness but with more complaining. Drake still has no musical abilities while he earns lots of money while a lot of great skilled musicians swim in the big sea of obscurity. That's a shame really. I have the uttermost troubles to understand why anyone would like this. For 99% of the music made in the world, I can at least understand why people would like it. The only things I don't understand are Black-Metal and Drake. How can you seriously say that this album is one of the best things ever made? What is actually good about mumbling some personal problems, contradicting them a few seconds later like you're having insane massive amnesia because of all the drugs and booze you inhale. You would also say that with all those Wu-Tang references you would actually have kind of an idea about what the concept of Hip-Hop is about, but Drake is just like YOLO let's troll them. That is the only plausible statement left, it is one big conspiracy troll like with Lil' B and I'm clearly not getting it.

 

Peace out.

 

[Hurricane]

http://poeticdeath.bandcamp.com/album/legacy-the-rebirth

[kaspdb]

Nou hier is mijn review van de nieuwe Drake. Lees het maar niet als je fan van hem bent en niet tegen kritiek kan. Heb het amper overgelezen dus kan zijn dat ik soms verkneld raak in te grote zinsconstructies. :cab:

 

[spoiler=shizzle]Rhyming the same word 4 times in a row, comparing himself to people who actually have a certain talent and reproducing lines from hooks that are yet to come. This is going to be amazing. Did anyone hear Drake say that he doesn't care about anything anymore, only to hear him complain about personal issues not more than thirty seconds later? Brilliant. That is how this album starts and you're already anticipating what is going to be next. Because despite the fact we can never experience a life where we are rich musicians who have almost everything they want in life, Drake is going to help us remind that life as a rich rapper is really depressing, only to tell us seconds later that he's doing what he can to fuck as much ladies as he can, drink bottles of oozing liquids and all that other stuff he does.

 

Well, at least he has some self-knowledge, he is indeed the furthest thing from perfect. Releasing song after song in utter confusion. Drake is in a consistent confusion. Should he care about life and troubles of people or should he just be a cool gangster who doesn't give a damn/yolo? Should he rap or sing or mumble monotonously like he is eating chicken with no regards for musical instrumentation? After that again a song about Drake's favorite subject. Himself. He started from the bottom but now he is on top. Not only is that statement utterly wrong because he originates from a middleclass suburban Canadian family but also it's completely unoriginal.

 

Well there is Wu-Tang Forever, at least we have something in common, we are both fans of Wu-Tang right? To be honest, this is the last kind of song I expected to have this title, I bet if Ol' Dirty Bastard could've hear this in his grave, he would've shat bricks the size of elephants. Why this title? This doesn't have anything to do with the no-nonsense Hardcore-Raps the Wu-Tang produced, wordsmithery, storytelling and rawness. This is the complete opposite. Also, I wonder if Drake has considered ever paying a singing coach. When you are singing, or wait, is that really singing? Let me correct it, nasally mumbling sentences so prominently in different songs, you would like it to do that as good as possible right? NO! YOLO! And even if he did it, would it matter when you contradict yourself more than the average populist politician?

 

Well, to be honest. From Time is not a bad track, of course Drake has zero of the essential skills a typical good emcee should posess, but this song has a little content, the beat is good and Jhené Aiko has pretty good parts too. So yeah, if the album would be more like this, it would be pretty good right?

 

But there is the boybandesque 'Hold On, We're Going Home'. And while his singing isn't massively nasal or uninterested like on the majority of his discography, it is still irritating as hell, because you can hear at every point that he doesn't have the ability to actually sing. So he stays in a safe vocal range which makes it monotonous in a different way. O wait there is another guy singing with him, maybe they should form a boyband. I see Drake fit in effortlessly, although the thing is, he can't make songs with him complaining about an awful lot of things, so I guess that is never going to happen.

 

For real though, Drake is revolutionarizing the rap-game, as we can hear in Connect which is a real speaking name for the content of the song. He connects his lines by mumbling them together. The whole concept of flow is just destroyed. We should all thank Drake, today, you don't have to rhyme to rap, you don't have to flow to make money with Hip-Hop tracks. We should be so thankful! Artistic freedom at its best.

 

From a linguistic view, The Language is bilingual. First the yoyonese space hopper rap flow and after that the singing like you're eating your girlfriend's (who honestly can't cook, but you just need to eat her spaghetti to keep her satisfied, you know what I'm talking about) spaghetti filled with sour stuff and other disgusting things to a doglish.

 

Nothing Was the Same, but if I was told to summarize this piece of noise called an album, I would say that it is the same all over again. This is just Take Care with less pretentiousness but with more complaining. Drake still has no musical abilities while he earns lots of money while a lot of great skilled musicians swim in the big sea of obscurity. That's a shame really. I have the uttermost troubles to understand why anyone would like this. For 99% of the music made in the world, I can at least understand why people would like it. The only things I don't understand are Black-Metal and Drake. How can you seriously say that this album is one of the best things ever made? What is actually good about mumbling some personal problems, contradicting them a few seconds later like you're having insane massive amnesia because of all the drugs and booze you inhale. You would also say that with all those Wu-Tang references you would actually have kind of an idea about what the concept of Hip-Hop is about, but Drake is just like YOLO let's troll them. That is the only plausible statement left, it is one big conspiracy troll like with Lil' B and I'm clearly not getting it.

 

Peace out.

 

In grote lijnen kan ik je mening wel volgen ja. Ging er eerst op reageren dat "From Time" wél een topnummer was, tot ik zag dat je dit toch ook vermeldt.

Liedjes als "Hold on we're going home" kan ik echt niet naar luisteren, maar ik blijf toch vinden dat Drake "a certain talent" heeft, wat jij in de eerste zin tegen spreekt.

 

Van alle songs die hij tot op heden heeft uitgebracht, kan ik bijvoorbeeld wel een album vullen met liedjes die ik wel graag hoor. Maar ook niet meer dan dat. Grote fan zal ik nooit worden.

[Sick Blik]

Nja topnummer vond ik het niet, maar het was geen slecht nummer, als enige op het hele album.

[Marc.]

Drake schrijft niet eens zijn eigen teksten zonder hulp van anderen, discussie gesloten lijkt me.

[Sophomore]

Drake schrijft niet eens zijn eigen teksten zonder hulp van anderen, discussie gesloten lijkt me.

 

 

Maar heeft dan weer wel zo ongeveer de grootste hit van Alicia Keys geschreven...

 

http://www.complex.com/music/2013/10/who-is-vince-staples/

Vince Staples (y)

8 oktober 2013 bewerkt door Sophomore

[Marc.]

Maar heeft dan weer wel zo ongeveer de grootste hit van Alicia Keys geschreven...

 

http://www.complex.com/music/2013/10/who-is-vince-staples/

Vince Staples (y)

Welke dan? Durf te wedden dat hij die ook niet alleen heeft geschreven namelijk.

[Sophomore]

Welke dan? Durf te wedden dat hij die ook niet alleen heeft geschreven namelijk.

 

Un-thinkable (I'm Ready)

 

Oke. Ja ik weet niet hoe het er aan toe gaat bij het schrijven bij zulke grote artiesten. Zal ongetwijfeld hulp bij te pas komen.